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OUTCOMES
Queensland Art Gallery Board of Trustees Annual Report 2013–14 57
Publications in progress, as at 30 June
Madonna Staunton: Out of a Clear Blue Sky
(August 2014, 92pp., softcover, illus.: col., b/w)
We can make another future: Japanese art after 1989
(September 2014, 176pp., hardcover, illus.: col., b/w)
Tracey Moffatt: Spirited
(October 2014, 112pp., hardcover, illus.: col., b/w)
External publications
Buttrose, Ellie. ‘Exhibition review: ‘Processing Disagreement:
Part One’.
un Magazine
, Melbourne, issue 7.2, 2014, p.19.
Buttrose, Ellie.
Ruth McConchie: The Babbitry of Bubbles
Bathhouse
[exhibition catalogue]. Institute of Modern Art,
Brisbane, 2013, unpaginated.
Carter, Anne, Osmond, Gillian, and Ormsby, B. ‘Ian Fairweather
and water-based emulsion house paints in Australia 1950–64’.
AICCM Bulletin
, no.34, 2014 (in press).
Keehan, Reuben. ‘Structures of loss, structures of
emancipation’. In
Out of Doubt: Roppongi Crossing 2013
[exhibition catalogue]. Mori Art Museum, Tokyo, 2013,
pp.242–5.
Keehan, Reuben with Kataoka, Mami and Ritter, Gabriel. ‘Artists
and works’. In
Out of Doubt: Roppongi Crossing 2013
[exhibition
catalogue]. Mori Art Museum, Tokyo, 2013, pp.25–199.
Nagesh, Tarun. ‘A curious cast: Vipoo Srivilasa’.
Ceramics: Art
and Perception,
issue 95, 2014, pp.97–101.
Nagesh, Tarun. ‘Protest and poetry: Recent graffiti from the
Arab world’.
Artlink
, vol.34, no.1, 2014, pp.30–3.
Nagesh, Tarun. ‘Written on our neighbours' walls: Graffiti in
Asia’.
Artlink
, vol.34 no.1, 2014, pp.47–50.
Osmond, Gillian. ‘Zinc white and the infuence of paint
composition for stability in oil based media’.
Issues in
Contemporary Oil Paint
. Springer, 2014 (in press).
Osmond, Gillian, Ebert, B and Drennan, John. ‘Zinc oxide
centred deterioration in 20th century Vietnamese paintings by
Nguyê˜ n Tro
˙
ng Kiê
˙
m (1933–1991)’.
AICCM Bulletin
, no.34, 2014
(in press).
Pagliarino, Amanda. ‘George Poonkhin Khut,
Distillery:
Waveforming
2012: An iPad artwork’. In
On Paper? 8th AICCM
Book, Paper and Photographic Materials Symposium
, AICCM,
Canberra, 2014, pp.22–6.
Storer, Russell. 'Ah Xian: Healing the wounds'.
Broadsheet
,
issue 43.1, March 2014, pp.39–41.
Storer, Russell. 'Deborah Kelly: The Miracles'.
Artlink
, vol.33,
no.3, 2013, pp.44–7.
Storer, Russell. ‘Dots in the domain: The Asia Pacific Triennial
of Contemporary Art’. In Hjorth, Larissa, King, Natalie and
Kataoka, Mami (eds).
Art in the Asia Pacific: Intimate Publics
.
Routledge, New York, 2014, pp.37–48.
Storer, Russell. 'Simryn Gill: A small town at the turn of the
century'.
ArtAsiaPacific
, issue 86, Nov–Dec 2013, pp.116–17.
Papers presented (unpublished)
Burnett, David. ‘Vinyl Artefacts’. Popular Culture Association of
Australia and New Zealand Conference, Hobart, 19 June 2014.
Osmond, Gillian [and Ives, S, Dredge, P, Drennan, John and
Puskar, L]. ‘From Porcelain to Pimples: A Study of Synchrotron
Sourced Infrared Spectroscopy for Understanding the
Localised Aggregation of Zinc Soaps in a Painting by Sir
Frederick Leighton’. Poster presented at 7th International
Workshop on Infrared Microscopy and Spectroscopy with
Accelerator Based Sources, Lorne, 11 November 2013.
McDougall, Ruth. ‘Contemporary Austronesian Art from the
Perspective of the Asia Pacific Triennial of Contemporary
Art’. Art Museum as a Meeting Place for Austronesian
Contemporary Art, Kaohsiung Museum of Fine Arts,
Kaohsiung, Taiwan, 17 October 2013.
McDougall, Ruth. ‘In and Out of Place: Pacific Textiles in
Contemporary Museums’. Contemporary Pacific Arts Festival,
Footscray Community Arts Centre, Footscray, 21 March 2014.
McDougall, Ruth. ‘Locating a Place: Pacific Textiles in
Contemporary Museums’. Critical Approaches to Museums and
Heritage: Research Seminar Series, University of Queensland,
St Lucia, 10 April 2014.
McDougall, Ruth. ‘A View from Elsewhere: Indigenous and
Pacific Art in the Asia Pacific Triennial of Contemporary Art’.
Pacific Arts Association, Jean-Marie Tjibao Cultural Centre,
New Caledonia, 24 May 2014.