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OUTCOMES

Queensland Art Gallery Board of Trustees Annual Report 2013–14 51

‘My Country: Contemporary Art from Black Australia’

Auckland Art Gallery Toi o Tāmaki, New Zealand

28 March – 17 August 2014

Drawn from the exhibition presented at GOMA in 2013, nearly

100 works by over 40 artists from the Gallery’s Collection

toured to New Zealand representing the largest and most

significant exhibition of contemporary Indigenous Australian

art ever shown in that country. The exhibition showcased the

breadth of recent work by Aboriginal and Torres Strait Islander

artists, and the connections the artists have with their land and

nation, and was accompanied by the QAGOMA Children's Art

Centre exhibition ‘Gordon Hookey: Kangaroo Crew’.

Children’s Art Centre exhibitions and projects

Gordon Hookey: Kangaroo Crew

1 June 2013 – 27 January 2014 | GOMA

‘Kangaroo Crew’ was an interactive artist project created

especially for children and families by Indigenous Australian

artist Gordon Hookey (Waanyi people), based on the artist’s

original story and paintings,

The Sacred Hill

. The project

involved hands-on and multimedia interactives and a storybook

illustrated with the artist’s paintings.

CHILDREN’SARTCENTRE

SPONSOREDBY

THESACREDHILL

PUBLICATION

SUPPORTEDBY

SPONSOREDBY

Cai Guo-Qiang Kids: Let’s Create an Exhibition with a Boy

Named Cai

23 November 2013 – 11 May 2014 | GOMA

An interactive artist project produced to coincide with

‘Cai Guo Qiang: Falling Back to Earth’, ‘Let’s Create an Exhibition

with a Boy Named Cai’

invited children to engage with the

artist’s ideas and artworks through hands-on and multimedia

activities. Young visitors learned about the artist’s working

methods to create their own exhibition by making and displaying

objects in miniature gallery spaces, and creating multimedia

gunpowder drawings and simulated explosion events.

CAIGUO-QIANGKIDS

PROUDLYSUPPORTEDBY

CHILDRENSARTCENTRE

SPONSOREDBY

Drawn from the exhibition at QAG in 2013, ‘Ever Present’

presented a broadly chronological history of photography from

1850 to 1975. Refecting the somewhat arbitrary nature of

photography’s beginnings, the exhibition presented pictorial,

documentary, modernist and street photography by unknown

nineteenth-century practitioners alongside iconic images by

renowned photographers of the twentieth century.

Exhibitions presented internationally

Yayoi Kusama

The obliteration room

2002 to present

As part of the exhibition ‘Yayoi Kusama: Infinite Obsession’:

MALBA (Museum of Latin American Art of Buenos Aires),

Buenos Aires, Argentina

13 June – 30 September 2013

Attendance: over 206 000

Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil

12 October 2013 – 26 January 2014

Attendance: over 75 000

Centro Cultural Banco do Brasil, Brasília, Brasil

17 February – 27 April 2014

Attendance: 470 230

Instituto Tomie Ohtake, São Paulo, Brasil

21 May – 27 July 2014

Attendance: 522 136

As part of the exhibition ‘A Dream I Dreamed’:

Daegu Art Museum, Daegu, South Korea

15 July 2013 – 3 November 2013

Attendance: 329 181

MOCA (Museum of Contemporary Art), Shanghai, China

15 December 2013 – 30 March 2014

Attendance: 330 000

Seoul Arts Center, Seoul, South Korea

4 May – 15 July 2014

Attendance: 144 896

As part of the exhibition ‘Play Objects – The Art of Possibilities’:

Museum Tinguely, Basel, Switzerland

18 February – 18 May 2014

Attendance: 34 261

Developed by senior Japanese artist Yayoi Kusama in

collaboration with the Queensland Art Gallery for ‘APT 2002:

Asia Pacific Triennial of Contemporary Art’,

The obliteration

room

invites visitors to plaster a completely white room

with a plethora of multicoloured dots. Restaged in 2011 for

the artist’s solo exhibition at GOMA, this immensely popular

installation has continued to tour since, as part of a number

of international exhibitions.