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10 Queensland Art Gallery Board of Trustees Annual Report 2012–13

OUTCOMES

OUTCOMES

The Collection

The Gallery is committed to expanding, exhibiting,

publishing on and caring for the Collection. The Gallery

uses the number of exhibitions presented and the

number of regional locations receiving exhibitions,

programs, education, interpretative and information

services as performance indicators to measure the

success of achieving this goal. Statistical summaries

can be found on page 71 and details related to the

Collection are outlined below.

Collection development

The Queensland Art Gallery’s Collection was central to the

exhibitions and activities presented in 2012–13. Collection

development during this period was conducted in line with

the Acquisitions Policy. In 2012–13, 409 works were acquired

for the Collection, bringing the total number of works held

by the Gallery to 16 095.

A large number of contemporary Asian and Pacific works

across a range of media were acquired. Significant areas

identified for development included Melanesia, South-East

Asia, West Asia and the subcontinent. These included

major commissions and gifts through ‘The 7th Asia Pacific

Triennial of Contemporary Art’ (APT7).

Several contemporary Asian and Pacific gifts throughout the

year also contributed to the representation of key artists from

the region, as stipulated in the Acquisitions Policy. APT7 also

included a number of works developed by exhibiting artists

especially for Kids’ APT7, and some of these works entered

the Gallery’s Collection including:

• Tiffany Chung

one day the bird flies across the sea

2012

• Parastou Forouhar

Persian for kids

2012

• Kwoma Arts

Kwaia koromb (Small spirit house)

2012

• Uji Handoko Eko Saputro (aka Hahan)

Memento masko

2012

The Collection work

The obliteration room

2002 to present,

by Yayoi Kusama, was part of the Tate Modern’s international

tour of the exhibition ‘Yayoi Kusama: Infinite Obsession’; the

tour commenced at Malba-Fundación Costantini, Buenos Aires,

on 30 June 2013, and was organised by Philip Larratt-Smith,

Deputy Chief Curator, Malba-Fundación Costantini, and

Frances Morris, Head of Collections, Tate Modern.

Asian art

The Gallery’s Asian art department continued its policy of

acquiring significant works expanding existing focus areas.

One work was acquired for the Asian art collection.

Contemporary Asian art

During the year, collecting focused on contemporary Asian

art post 1960 across all media — from South Asia, West Asia,

South-East Asia and East Asia, as well as the diasporas. 27

works were acquired for the contemporary Asian art collection.

Pacific art

Pacific art acquisitions demonstrated the diversity of art forms

prevalent in the region, including works referencing customary

practices. Collecting activity continued to build the Gallery’s

holdings of works by key New Zealand artists, whose works

directly engage with issues relevant to the Pacific. Seven

works were acquired for the Pacific art collection.

International art to 1975

The international art collection consists mainly of European

works dating from the fifteenth to the mid twentieth centuries.

To further develop the international collection, strategic gifts

and acquisitions of works by major artists were pursued in

2012–13. 25 works were acquired for the international art

collection during the year.

The 2013 Foundation Appeal focused on the acquisition of five

woodcut prints by Albrecht Dürer in order to complete the

Gallery’s holdings of the artist's masterpiece,

The Apocalypse

1496–98, published in 1511.

Contemporary international art

Collecting in the area of contemporary international art

has focused on an expanded field including eastern Europe,

the Middle East, Central and South America, and Africa.

Acquisitions have been made across all media focusing on

the period from the 1970s to the present. Ten works were

acquired for the contemporary international art collection.