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CULT JAPAN

3 JULY – 2 SEPTEMBER 2015

This celebration of the strange in postwar

Japanese cinema sold out several

sessions of underground and cult classics,

as it plumbed Japan’s unique take on

horror, action, the excessive and the

surreal. The program also featured a full

retrospective of animator Hayao Miyazaki’s

hand-crafted fables, including

Spirited

Away

2001 and

Princess Mononoke

1997.

THE WESTERN

11 SEPTEMBER – 15 NOVEMBER 2015

Inspired by the mythic vision of the

frontier and its depictions of confrontations

between man and nature, and civilisation

and freedom, this program surveyed the

Western from its roots in silent cinema

through to the present day.

CLOCKWISE FROM FAR LEFT /

Spirited Away

(still, detail) 2001 /

Director: Hayao Miyazaki /

Courtesy: Madman Entertainment

Screening of

Go West

1925 /

Live accompaniment: Percussimo /

November 2015 / Photograph:

Eduardo Viera

Wurlitzer organ performance for

DerGolem

1920 /Liveaccompaniment:

David Bailey / January 2015 /

Photograph: Brodie Standen

Live set-up for performers the hazards

of swimming naked accompanying

The Passion of Joan of Arc

1928 /

January 2015 / Photograph:

Mark Sherwood

For A Few Dollars More

(still, detail)

1965 / Director: Sergio Leone /

Courtesy: Park Circus

PREVIOUS PAGES,

CLOCKWISE FROM LEFT /

Screening of

Go West

1925 /

November 2015 / Live

accompaniment: Percussimo /

Photograph: Eduardo Viera

A screening of

Blue Velvet

1986

during ‘David Lynch: Between Two

Worlds’ / April 2015 / Photograph:

Mark Sherwood

The Cool World

(still, detail) 1953 /

Director: Shirley Clarke / Courtesy:

National FilmAnd Sound Archive

Australia / Zipporah Films

Erkennen und Verfolgen (War at

a Distance)

(still, detail) 2003 /

Director: Harun Farocki / Courtesy:

Video Data Bank, Chicago

Ambavi Suramis tsikhitsa

(The Legend of Suram Fortress)

(still, detail) 1984 / Directors:

Sergei Parajanov, Dodo Abashidze /

Courtesy: RUSCICO - Russian

Cinema Council

PICTURE

PAGE

039

REVIEW

2015

PAGE

038

REVIEW

2015

PICTURE