10 Queensland Art Gallery Board of Trustees Annual Report 2011–12
Outcomes
Outcomes
The Gallery is committed to the development and profile
of the State Collection and ensuring it is accessible to
Queenslanders. Sustained research into the Collection —
and dissemination of this information through a variety
of exhibitions, publications and public programs — has
ensured it is an enduring resource for a wide range of visitors
and scholars. The Queensland Art Gallery Collection is
distinguished for its holdings of contemporary Australian,
Asian and Pacific art, with a particular focus on Queensland
Indigenous and non-Indigenous artists.
The Gallery reinforced its strong ties with the Asia Pacific
region through initiatives such as the Asia Pacific Triennial
of Contemporary Art (APT); and the Australian Centre of
Asia Pacific Art (ACAPA), the research arm of the Gallery’s
Asia Pacific activities, which has supported artist and curator
residencies, academic research projects, public lectures,
forums and publications. In 2011–12, ACAPA supported
two internships: curator John Ohoiwirin, Asmat Museum of
Culture and Progress, Agats Papua, Indonesia (supported by
the Diocese of Agats, the University of Queensland Museum
Studies Program and ACAPA), and Sushma Griffin, a graduate
of the University of Queensland’s Art History department.
Curatorial staff undertook research throughout Europe and
the Asia Pacific region during 2011–12 for Collection and
exhibition development purposes. Countries visited included:
Indonesia (including Papua), Vietnam, Japan, South Korea,
India, Papua New Guinea, Malaysia, Thailand, Taiwan, China
(including Hong Kong), Spain, the United Kingdom, the
United States of America and France. Gallery staff also
presented papers at conferences and contributed to external
publications, further promoting the Gallery and its Collection.
For more information on these contributions, please refer
to page 99.
The Gallery presents two major exhibition series: the Asia
Pacific Triennial of Contemporary Art (APT) — the only major
recurring international exhibition to focus exclusively on the
contemporary art of Asia, the Pacific and Australia; and the
‘Contemporary Australia’ series — the most extensive regular
presentation of contemporary Australian art in the country.
This financial year the Gallery presented the second exhibition
in the series, ‘Contemporary Australia: Women’.
Initiatives to increase and diversify membership of the
Gallery’s fundraising body, the Queensland Art Gallery
Foundation, have continued this year, with a focus on individual
giving through private benefaction, as well as a targeted
appeal campaign for the acquisition of new works. For more
information on the Queensland Art Gallery Foundation,
please refer to page 137.
The Gallery’s Research Library collected and maintained
a range of materials related to the Collection, including
catalogues, journals and images, which are publicly
accessible. Gifts and donations contribute to the Research
Library’s collection development and included two significant
gifts this year. These included the addition of resources
on Henri Matisse to the James C Sourris,
AM
, Collection
of Rare Books made possible by the generous support of
James C Sourris,
AM
, through the Queensland Art Gallery
Foundation; and a collection of Australian art books, exhibition
catalogues and journals gifted by the Josephine Ulrick and
Win Schubert Foundation for the Arts through the Queensland
Art Gallery Foundation 2012, donated through the Australian
Government's Cultural Gifts Program.
The acquisition and gifting of major works and projects
presented in the Children’s Art Centre has also contributed to
the diverse nature of the Gallery’s collections. As part of the
Children’s Art Centre’s exhibition programming, major works
were commissioned, including an expanded iteration of Fiona
Hall’s
Fly Away Home
, presented in 2012. Yayoi Kusama’s
The
obliteration room
2002, created in collaboration with the artist
as part of Kids’ APT 2002, was gifted by the artist in 2012.
Research, scholarship, publishing, acquisition and
conservation programs throughout the year have ensured the
Collection is maintained to the highest art museum standards
for the benefit and enjoyment of present and future users.
Collection development
During 2011–12, the Gallery continued to develop the
Collection with a number of important acquisitions.
The Gallery is committed to supporting and promoting the
work of Queensland artists, in particular Aboriginal and
Torres Strait Islander art and culture. The Gallery’s Collection
currently consists of 15 686 works with 680 acquired during
2011–12; 235 were works by Queensland artists. For more
information on acquisitions with detailed captions, please
refer to page 32. The development of the Collection was
pursued in accordance with the
Acquisitions Policy 2009–14
.
The Collection