Previous Page  80 / 104 Next Page
Information
Show Menu
Previous Page 80 / 104 Next Page
Page Background

QUEENSLAND ART GALLERY ANNUAL REPORT 2007–08   

APPENDIXES

78

Name of Officer and Position Destination Reason for Travel

Agency Cost $

$*

Nicholas Chambers

USA

To courier an art work lent to the

$1739

$9469

Curator, Contemporary

Museum of Contemporary Art, Los

International Art

Angeles for exhibition (travel and related

expenses were covered by borrowing

institution); to view exhibitions and

meet curators and commercial dealers

in Los Angeles and San Francisco.

Nick Ashby

Italy

To participate as the only Queensland

$4694

$5000

Installation Officer

selected Installation Technician/Visitor

Services Officer at the 2007 Venice

Biennale.

Robert Zilli

USA

To undertake a Pratt Foundation/ISS

$4520

$8000

Conservation Framer

Institute Overseas Fellowship at the

Campbell Centre for Historic Preservation

Studies, Mount Carroll, Illinois, USA,

including attendance at a two-week

gilding conservation masterclass and

workshop; to visit the conservation and

restoration departments of the Art

Institute of Chicago and the Chicago

Conservation Centre.

Russell Storer

Singapore,

To conduct research towards 'The 6th

$1112

$8888

Curator, Contemporary

Vietnam,

Asia Pacific Triennial of Contemporary

Asian Art

Cambodia, Laos,

Art' opening in 2009.

Thailand,

Philippines

Suhanya Raffel

Japan

To conduct research towards 'The 6th

$690

$6088

Curatorial Manager, Asian

Asia Pacific Triennial of Contemporary

and Pacific Art

Art’; to identify artists, art works and

trends which will contribute to

development and display of the

Gallery's internationally recognised

Asian art collections.

Suhanya Raffel

United Arab

To attend Art Dubai, the major

$294

$3574

Curatorial Manager, Asian

Emirates

contemporary art fair in West Asia.

and Pacific Art

Suhanya Raffel

China, Taiwan,

To conduct research towards 'The 6th

$9542

NIL

Curatorial Manager, Asian

Hong Kong

Asia Pacific Triennial of Contemporary

and Pacific Art

Art'.

* Contribution from other Agencies or Sources