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QUEENSLAND ART GALLERY ANNUAL REPORT 05/06 /

initiatives and services

programs of assistance

/ QUEENSLAND ART GALLERY ANNUAL REPORT 05/06

39

To increase accessibility to the Gallery’s Research Library

holdings, particularly its collections of Asia–Pacific material,

the Library’s catalogue was made available on the Gallery’s

website. A database containing extensive information about

art prize exhibitions held in Brisbane from 1950 to 1975 was

also published online as a valuable aid for researchers.

SERVICES TO REGIONAL QUEENSLAND

During the year, ‘Streeton: Works from the Queensland Art

Gallery Collection’ travelled to seven regional Queensland

venues, including the Qantas Founders Outback Museum in

Longreach, the Gladstone Regional Art Gallery and Museum,

Noosa Regional Gallery, Hervey Bay Regional Gallery,

Dogwood Crossing Art Gallery in Miles, Toowoomba Regional

Art Gallery, and Stanthorpe Regional Art Gallery. The

eight-venue tour of ‘Queensland Live: Contemporary Art on

Tour’ was launched at the Gladstone Regional Art Gallery and

Museum, with an official opening by exhibiting artist Judith

Wright in February 2006. ‘Streeton’ was accompanied by a

printed room brochure and online education resource kit,

while ‘Queensland Live’ was supported by an exhibition

catalogue, a printed and online education resource kit, and a

webography of resources.

Gallery staff continued to provide professional advice and

assistance to regional gallery and arts workers throughout

the state, especially those venues hosting travelling

exhibitions from the Gallery. Staff travelled to each regional

venue to assist with the installation and dismantling of

‘Streeton’ and ‘Queensland Live’, and they also travelled to

numerous other regional centres to be involved in

workshops, lectures, floortalks, consultancy services, and the

judging of art awards and prizes.

RECONCILIATION

The Gallery’s commitment to reconciliation recognises the

need to enhance the economic, social and cultural wellbeing

of Indigenous people, and the ‘Xstrata Coal Emerging

Indigenous Art Award’ exhibition (a three-year commitment

by Xstrata Coal) assisted the Gallery in meeting its

commitment to reconciliation. Established by the Gallery and

Xstrata Coal, this annual acquisitive award and exhibition

draws on the talent of emerging urban, regional and remote

Indigenous artists working across all media. In 2006, ten

artists were short-listed and Jonathan Jones awarded the

inaugural $30 000 prize for his work

lumination fall wall

weave

2004/2006; while the $50 000 annual grant provided

by Xstrata Coal enabled the Gallery to acquire 12 art works to

form the foundation of the Xstrata Coal Indigenous Art

Collection.

Curator and artist Brian Robinson and artist Craig Koomeeta

continued their roles with the Gallery’s Board of Trustees,

while one Indigenous intern employed by the Gallery during

the 2004–05 reporting year — in the area of Marketing and

Communications — continued their employment at the

Gallery. This internship program, initiated in association with

the ‘Story Place’ project in 2001–02, demonstrates the

Gallery’s commitment to training and employing young

Indigenous arts workers.

GALLERY MEMBERSHIP

Two long-standing organisations perform vital roles for the

Gallery — the Foundation engages in fundraising to develop

the Gallery’s Collection and exhibition programs, while the

Friends of the Gallery fosters and enhances public

appreciation of the visual arts.

In 2005 the Foundation launched the successful Blackman

Art Appeal which added

City lights

1952 by distinguished

Australian painter Charles Blackman to the Gallery’s

Collection. The Foundation also celebrated the 100th

birthday of Pablo Picasso’s

La Belle Hollandaise

1905 at the

Foundation’s Gala Dinner on Saturday 6 August. For full

details of the Queensland Art Gallery Foundation operations

and activities, please refer to the separate Annual Report

produced by the Foundation.

Bringing art and people together by actively involving the

community in the Gallery’s activities and programs is the

objective of the Friends of the Gallery, and the series of

planned excursions, ‘Wake up to art!’ presentations, monthly

luncheons, and coffee and film mornings ensured members

continued to enjoy a fulfilling year of Collection- and

exhibition-related events during the year.

THE MELVILLE HAYSOM MEMORIAL ART SCHOLARSHIP

In memory of Mrs Yvonne Haysom’s late husband, the artist

Melville Haysom, the Melville Haysom Memorial Art

Scholarship is awarded annually to an emerging Queensland

artist under the age of 25. The scholarship provides financial

support and access to the Gallery’s resources to assist the

recipient to complete a specific body of work. In 2006 the

scholarship was awarded to Janice Kuczkowski, who

completed Honours at the Queensland College of Art, Griffith

University, in 2005.

HOBDAY AND HINGSTON BURSARY

Instigated by Florence Emily Hobday in memory of her

husband, the artist Percy Stanhope Hobday, and her brother,

Arthur James Hingston, the Hobday and Hingston Bursary was

awarded to Paul Adair, a graduate from the Queensland

College of Art, Griffith University. Paul graduated with Honours

in Photography in 2005. The bursary is awarded annually to

the most promising undergraduate from a Queensland tertiary

art course and each recipient receives financial support

towards their continued development as an artist.

VOLUNTEER OPPORTUNITIES

The Gallery’s volunteers are a committed and enthusiastic

group who play an important role in the life of the Gallery.

Volunteers present interpretive tours of the Collection and

special exhibitions; staff the Information Desk; work behind

the scenes in the Research Library; assist Marketing,

Curatorial, and Friends of the Gallery; and conduct visitor

research for audience development purposes. During the

reporting year, the Gallery’s volunteers continued to dedicate

many hours assisting visitors and staff.

PROGRAMS OF

ASSISTANCE

The Queensland Art Gallery provides assistance and encouragement to young

emerging artists, and professional development and employment opportunities for

museum professionals and young people seeking a career in the visual arts.