Research – Provenance Research Project
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Restitued Objects

Research has confirmed that the objects on the Restituted Objects list were appropriated from their owners by illicit actions (e.g. confiscation, forced sale, theft) during the period of the Nazi era but were subsequently restituted to the rightful owner or heir prior to acquisition by the Queensland Art Gallery. The provenance data cited includes information about the known movements of those objects from the time they were taken from their owners, until they were returned.

Provenance

16 April 1980 (lot 27) (Sotheby’s, London)
1964–80 Norton Simon Foundation, Los Angeles and Pasadena
by 1956 Duveen Bros., New York
1949– Shirley Falke Collection, Lennox, Massachusetts
3 March 1949 (Kende Gallery, New York)
1928?–49 Oscar Bondy Collection, Vienna
1947 Restituted to Elisabeth A. Bondy, widow of Oscar Bondy, New York
1946 Retrieved by Allied Forces and released via the Central Art Collecting Point, Munich, to government officials of Upper Austria
1939 Collection of Oscar Bondy confiscated by Nazi officials; painting allocated to the Führermuseum, Linz
January 1928– Hugo Perls, Berlin
by 1902 Duke of Anhalt, Gothic House, Wörlitz, Castle of Dessau, Germany
–1902 Unknown



The Master of Frankfurt

The Master of Frankfurt
The Netherlands 1460–c.1520–33
Virgin and Child with Saint James the Pilgrim, Saint Catherine and the Donor with Saint Peter c.1496
Oil on oak panel
69 x 55.2cm
Acc.1:1721
Collection: Queensland Art Gallery
Purchased 1980 with funds from the Utah Foundation through the Queensland Art Gallery Foundation


Painting Detail


The sticker affixed to the reverse of the painting identifies Oscar Bondy as a previous owner and the number of the painting in his collection.

The number inscribed on the reverse of the painting alerted the Research Team to the possibility that it had been confiscated by the Nazis.


Entry '1304' in the inventory compiled by Nazi authorities when the Oscar Bondy collection was confiscated in 1939.



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